How tall is quinn allman from the used

The lawsuit states he also has not received payment for the tours and merch sales that occurred while he was still a member of the band. When he receives royalty checks, they come sometimes months or weeks after fellow former band member Steineckert receives his. Allman is suing for an order to dissolve The Used, LLC, in addition to damages caused by his exit from the band.

Requests for comment made to the band, its management and its publicity team were not immediately answered. Donate to the newsroom now. The Salt Lake Tribune, Inc. Former The Used lead guitarist sues ex-bandmates two years after being fired from Utah-based group Founding member Quinn Allman seeks back payments and damages for unpredictable and late royalty checks.

By Paighten Harkins. In case you missed it. Vigil for year-old Black girl who died by suicide brings together mourners. I went through two and a half years real quick. How long did it take before people started to take notice of the band? They were our first few songs. I remember I got the guy at the bowling alley to play the CD , and people were flipping out to it, and he played it over and over, like four or five times.

It was a whirlwind situation. We had nine contract offers or something — they were flying us back and forth all over the place. I think that was the end of the big bank record label days, where they had all of this money to throw around, and they thought they owned everything and ruled the world. You became part of the emo scene that emerged in the early-noughties.

Looking back, what do you make of it all? Our music was coming from an honest place, so I felt that we had nothing to hide, getting it out there. I knew emo existed in Sunny Day Real Estate and bands like that. You can call music whatever you want. Emo was just such a strange thing, because what is music without emotion?

But it was huge. Why do you think that so many people connected to that strain of music? I feel like it was honest. And I feel like it was raw in connecting all these other parts of genres that people really enjoyed. And from the very beginning I felt that The Used deserved to have my life, and deserved to have my private, personal stories to hopefully connect and reflect what I felt growing up, and how music saved my life.

Why do you feel The Used have prevailed as a band when others from that period have fallen away or become nostalgia acts? I think that the emphasis was never on getting my face out there, or becoming the biggest band in the world, or about how much money we made. And The Used have always been a live band, I think, first. Or at least we enjoy what we do and it shows. So that, plus luck, plus a good ability to write a song. Your latest album, The Canyon, deals primarily with the loss of your friend Tregen.

What do you think you gain from being so personal in your music? I often felt like I needed a release in the moment, but what a selfish and egotistical way to think about it. And it sounds like a live record. Could you expand on that? But I was having a really rough time that summer.

I was devastated, and I shared what happened with him. And he would come to my bus every day, just to chat, or smoke a joint. He was a true compassionate person; he was one of the good ones. He will be so tremendously missed.

They did so many good things for so many people. I can only hope to be that type of influence on the world and I aspire to affect that kind of positive change. A lot of people tell me that he saved their life. What was the catalyst for your decision to make that lifestyle change? So that was it. Do you think it was easy to be in a band with you before you went to rehab? There were a lot of good times. All of it. How did that come about? In a way, was that voracious appetite for reading and obsession with literature a replacement for alcohol?

I still read a lot, but not 12 hours a day. That was all day, every day. Have there been any particularly important books in your life?